Related Paintings of unknow artist :. | Portrait of Duarte de Sousa da Mata Coutinho | Old market woman | Swede watercolour | L Histoire de Saint Graal | Janusz Radziwill |
Related Artists:
antonin dvorak
Named after Prince Antoni Radziwiłł, who built a wooden summer residence here between 1822 and 1824 for his family. The Radziwiłł family played an important role in Polish?CLithuanian history over several centuries and owned lands larger than the state of Belgium.
William Etty
1787-1849 English William Etty Location English painter. Born into a Methodist family, he was the seventh child of a miller and baker in Feasegate, York, and in 1798 he was apprenticed as a printer to Robert Peck, publisher of the Hull Packet. Financial support from his uncle, a banker, allowed him to go to London in 1805, where he entered the Royal Academy Schools in 1806. For a year, in 1807-8, he was a pupil of Thomas Lawrence, who greatly influenced him. Following the death of his uncle in 1809 he became financially secure. From 1811 he exhibited regularly at the Royal Academy and the British Institution and in 1816 worked in the studio of Jean-Baptiste Regnault in Paris.
Theodule Ribot
Saint-Nicolas-d'Attez, 1823-Colombes 1891. was a French realist painter. He was born in Saint-Nicolas-d'Attez, and studied at the École des Arts et Metiers de Chalons before moving to Paris in 1845. There he found work decorating gilded frames for a mirror manufacturer; he also studied in the studio of Auguste-Barth??l??my Glaize. After a trip to Algeria around 1848, he returned in 1851 to Paris, where he continued to make his living as an artisan. In the late 1850s, working at night by lamplight, he began to paint seriously, depicting everyday subjects in a realistic style. He made his Salon debut in 1861 with several paintings of kitchen subjects. Collectors purchased the works, and his paintings in the Salons of 1864 and 1865 were awarded medals. Ribot painted domestic genre works, still-lifes, portraits, and religious scenes. His preference was for painting directly from nature, emphasizing the contrasts of light and dark. His use of chiaroscuro to suggest psychological states grew from his admiration for Spanish and Dutch baroque masters such as Ribera and Rembrandt, an enthusiasm shared by his contemporaries Courbet and Bonvin. Members of Ribot's family are the likely models for many of his figure compositions, in which the subjects engage in humble activities, such as preparing meals or gathering in groups to read to each other. The light draws attention to faces and hands, which emerge sharply from dimly lit surroundings. Although the realism of Ribot's work aligns him with the most progressive artists of the generation preceding the Impressionists, he was no revolutionary,